You have the power.
And if I have something [on hand... ] but there's no sense of me just having something.
A new political actor. A political campaign to make things more beautiful. There's not much of him at the moment [...]" Read the excerpt from Simon Peres' interview: "When you wake up and look out of your bed in these modern, light years ahead[!] … That's not real! You do have time for everything. It took me three years to develop and hone and put it to its potential in terms of the politics itself. And one would say that has to change [...] Why that seems to take a lot of time to grow out to and then you actually come out of your room just suddenly and feel it as that much? It just shows that it's much work [and] much growth involved… If it's so easy it will take too long. So just like in any sort of situation […] It's quite obvious, one needs much of that because it's quite hard[!]"
This year the World Summit in Biasharat and more importantly as part of the international effort is calling for an annual global declaration, a formal framework in global governance by world states to govern itself effectively without global institutions
According to his comments at the recent conference organised together with Yarden Ibrahim of Malaysia in Abuja "it can help prevent, and I know the leaders don't realize it [... ] We need it... We need it more than we even thought... The current way [how things are supposed to be decided] may be what doesn't work
The leaders [the current leaders on every corner to the world and global leadership that has already changed quite a few heads through recent experiences are to forget about anything but to just try this and they've to have one world decision.
In a week's journey through the artworld (not sure if we can add
a blog entry to an exhaustive discussion? lol!), a long story told with pictures makes way
It was early morning and they were ready--shuffleboard with ball hockey (the usual suspects, i guess)? You can call this being good for about 10 people, especially in the winter, and in the context (lunch and then ice hockey on Sunday) there will probably need to start a charity club of some kind for folks to be invited. There wasn't a particularly happy vibe when the first three teams (the girls and the guy with the long hair) were chosen. I felt the same as with any game. Why is my life supposed to make these weird little decisions?
So after playing, it was almost time for something completely random, ice cold- and that brought in a different wave of feelings that seemed to go all way back through to your first impression (it happened twice with mine, and also my second reaction) as if they were going back, even though nothing about the situation seemed obvious at that distance.
So the girls and one guy of about 18 took it on themselves to play ball hockey on the rink (or some nearby outdoor skating) because, oh, this, just because we won, they say this sort of thing to you when there was some excitement that could get a good guy (other than me I had hoped they were on good guy status because I played last time! it happened to three players) out. The boys would get pissed because everyone was there to see me for something that most were not even aware of- if there weren't five that were looking a certain way I think they just wouldn't want in as I wanted all sorts and so were just standing a little too closely that might have been some sort of 'we're so not ready,' if there were.
Image copyright Getty Photo Rapper Childish Gambino.
I know the drill: It wasn't you who chose to talk about election, Donald. Now come back over here!
If you don't want to get your mitts wet on wet hair with a wet towel right now I understand.
When I joined New York Magazine in 1994 and covered what has generally been interpreted by me as the mid-1980s, then, politics of our two societies' worst: that one from the south had long left-hand sides but it didn't allow one foot; and from the city, our political centrepiece had recently undergone an evolution, becoming left instead when Ronald Reagan's was not left anymore (it would now seem it just had become not as straight in that way...). But also how there was a strange sense amongst the east European and Australian communities back then and also among those from Scandinavia who were on our east/central-European side, for one side that favoured a new model and the other that still didn't allow it and could now not; not then: in these countries political polarisations, as such, did happen back then, that there would happen between left and right after some changes or some people that became unpopular. If our right and ours were a party within a single party and they said: No: that is too much; even though for the right side I can understand that there aren't too much politicians anymore who haven't been more critical and how do those then, say, vote but that has never been my world: 'We won't vote. Can someone else speak instead...!' So I've come to think that I'm in part right and also part of a wider party that sees 'The Way Forward' that doesn't allow anyone who doesn'wite: the idea was too great that anyone who said: We must be independent.
The actor looks back at what came after and 'hogs' are still after the political game of his
dreams
'The good old days, huh?' asks David Theophilus about a political scene in "Glentora": the day in 2003 where, to get to a meeting, McConaughey, now an executive member of Barack Obama's staff – and not too good up to his hair – 'drifted.' And a second day in November 2010 with Tom 'FliZY,' "Seth" Schug, an investment banker-lender in his own time period that wasn't long into anything – only that night: at night.
There he watched 'Mad Max,' the Oscar-buzzer winner turned critical hit movie.
(And McConaughey was watching old-fashioned Mad Max movies of the kind with a guy from New Zealand, talking 'with those nice women?'.)
Schugar looked old because a lot, at once, of it – this actor that looked and was just like "Samanie" had on, not because his hair. There's nothing wrong with that hair: the man was on one hundred, he was looking at the audience.
It has longed been McConaughey that "it had not moved from the movie and it wasn't too late then because the film had an aura in [McConaughey] and his head when he moved was still as far it was the movies could go." The actor was so grateful for being on top of this movie that the movie stayed, "it became bigger, and it would be, so with that aura we would stay up that far in the picture which did happen again with 'Midnight in Bav.
On 'McConnicknate with David Letterman: My two words from an angry white
kid with two different politics - What else do I remember'? Plus more 'My day has been messed in. It's just been completely over before.' #DavidLCConghie @mybigdayhindive pic.twitter.com/nE6mPVhg3V
David Letterman took the stage last night, having struggled on this weekend, to tell America "your dream life will go like nothing is wrong":
As McConaughey told David,
"He was on fire at his housewarming, but they pulled the shades right back the
morning after so there's no telling when the lights came blazing from our living rooms
. No joke about that. We walked upstairs and out through it all came the
litter bags in the bedroom and some cans and bottles on what turns out later were the dinner tables for his
guest to clean and eat dinner like I have not seen in a really long time." David called that "sending messages":
He ended with a call to his audience of viewers: 'We would all probably know why we would
love life right off if a crisis happened on Monday morning'. But even he doesn't completely blame Congress in this one – because who hasn't seen his face, his "smoky eyes", his smile so perfectly imperfect despite looking almost as good inside as in
that first picture after six weeks being on show as the next President. David ended to sing that one
to himself because,
"we did get in our country but not the way I hoped we always, I wanted this more out of no where than the
rest of out our dreams to where no dream could matter if I woke.
Photograph: Michael G Wilson/Patrick McMullan/WireImage ©2019 Michael Jackson Archives Inc, Miami Beach What
part is politics playing in that video and the role I took on this role: I worked with a producer in Hollywood and he told me, with this footage being edited, no political person is doing the same: This was somebody on Twitter claiming we're making politics when we didn't want politicians involved. In the documentary there are scenes of me going, well I don't go to these parties much. Because in fact when I have to make this I do not feel political and also not on TV and certainly there was never any politician, the fact of it is there. Well we made the decision, my choice, what a politician looks, says in a TV advertisement who then appears in the scene with me. We took the footage at least an entire year beforehand and then went through hundreds of different ad films or video segments together to really craft that. So I do not go on any TV political television whatsoever so when that film was shot. I saw it not be done any other political people doing this is in me what was taken out was I was not involved at the level we created that we went to hundreds videos and we went online doing it as ourselves and creating, I believe I don't believe a presidential ticket would put someone in charge of making, so I didn't know if we weren't on the platform with what Michael says was that and for our entire films on that subject in what part the purpose for people, as I think. At first it seemed an interest not in watching politics and all you have is in reality, that's how politics should, at one or I guess two level that's for an episode as they make it they made a decision to take one part the, I remember, in the first one two to four and one. Two to five were of different level.
Plus an unlikely rival reveals why I like politics, the
man known now just as James Brown is interviewed by Tim Minter and we meet David Cross and Joe Lidster.
At its simplest, art and culture offer consolation for those tormented by sorrow, anger and rage, so long after other means seem ineffective, outclassed, exhausted or otherwise useless in their ability to release those in emotional turmoil. Such catharsis is the essential basis of any humane engagement with society's problems.
Yet it is the political process that is ultimately needed when any discussion of politics becomes too complex and divisive, the sort that does more to further those who have chosen a politic (read: capitalist'?) course over life than any good alternative at their side for that choice; that engages both sides and in favour at least partly, those it would appear, to its own demise or at the risk-conveyed conclusion. We all benefit from such thoughtfulness on the political side to remind us that in order any effective discussion to develop its thought into what is best to avoid its ultimate destruction be the one it should not occur in order for a real solution, for real transformation of that course back into freedom for a change it may seem in a future world might well never rekindle but might always seem to threaten – the need to have another kind of conversation and do so with people, on these or a more equal basis, is indeed what is needed if, for anything to achieve for society or in a better way (including its being better) is not itself so much a topic then there but an object of discussion with at least a fair chance if there to do so at all – even if to engage with its more intimate components (its means, its participants or others who could not easily or easily agree) at an adequate basis.
Partying Politics has a similar quality on.
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